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Dropkick MurphysFebruary 26, 2011 With the war over worker’s rights raging in neighboring Wisconsin, the quintessential working class band The Dropkick Murphys took the stage at Chicago’s Congress Theater on February 26. A crowd of 4,000 boisterous fans roared as the band tore into “Hang ‘Em High” from their new album Going Out in Style. This was just the beginning of an amazing 90-minute show in which DKM once again showed us all how Celtic punk is done. Coming on stage to Thin Lizzy’s “The Boys Are Back in Town”, the boys (along with a few girlsThe Parkington Sisters backed them with strings and accordion) began their high energy and highly interactive performance in front of an enormous backdrop of the cover art for their new chart-topping album. Periodically throughout the concert the backdrop would be changed; for example, at one point it became a pirate flag during the crowd favorite “Shipping Up to Boston.” Vocalist Al Barr was energetic and engaging throughout, frequently crashing the barrier and going into the audience, which instantly swarmed him. That energy ramped up even further when the band launched into “The Gang’s All Here”, from their 1999 album of the same name. This is the essence of a Dropkick Murphys concert; it’s really a party with their fansan incredibly loud and exuberant party, at that. The party atmosphere carried on and was once again ratcheted up when the band launched into “Going Out In Style” midway through. With the energy at this level, bass player and vocalist Ken Casey spoke briefly about the protestors in Wisconsin before charging into “Take ‘Em Down” and “Workers Song” in support of those fighting for their rights in the state’s capital. The regular set ended with the incredibly popular “Shipping Up To Boston”a song which had the already raucous crowd dancing and jumping so enthusiastically I could feel the floor shake. This led into the encore, which kicked off with “Kiss Me, I’m Shitfaced” while a bevy of female audience members joined the band onstage for a sing-along. Throughout the three-song encore, more and more audience members came up on stage; so much so that by the end it was hard to tell where the stage ended and the audience began. The energy and enthusiasm had merged into one big celebration. And that’s exactly how a Dropkick Murphys show should end. Pamela Obenchain |
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