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Caught in the Carousel "There will be music despite everything"
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The Adventures of Stickboy

1. "I'm Pretty Sure I'm Gay"
2. "Please, Please, Please"
3. "I'm Pretty Sure I Can't Go On Vacation with My Parents Anymore"
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5. "It Just Came to Pieces in My Hands"
6. "I'm Pretty Sure I Want to be a Famous Comic Book Artist"
7. "Brushes with Greatness"
8. "Exterminate the Brutes!"
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10. "Strip Club Strip"
11. "O' Come Again, Terrible Summer"
12. "En El Fondo: Pages from an (Anti) Depression"
13. "The $100K Bowl of Shit"

Shawn Brown
The Trews: Canadian Riff Rock With Indie Sprit and a Pimps' Heart
Quit Sellin' Amos Lee Short

Carousel Roundup
February 2011: Have a Heart (It's So Tasty)
November 2010: I See Dead Things
October 2010: I'm Running Away to Join the Circus
September 2010: Almost Strictly Instrumental
August 2010: The Booze Tour
July 2010: Sisters of Mercy
June 2010: Groovy Singer-Songwriters

Composition Breakdown
Brian Vander Ark

Phil Wilson

Thomas Cooney:
"Another Thing!" (March 2012)
"Another Thing!" (January 2012)
"Another Thing!" (October 2011)
"Another Thing!" (August 2011)
"Another Thing!" (June 2011)
"Another Thing!" (April 2011)
"Another Thing!" (February 2011)
"Another Thing!" (January 2011)
"Another Thing!" (November 2010)
"Another Thing!" (October 2010)
"Another Thing!" (September 2010)
"10 Years of Swing Out Sister's Somewhere Deep In The Night"
"The Twenty-Five Year Seduction: Bryan Ferry’s Boys and Girls"
"Decade in Review"
"The Deep Night Of Day"

The Cyprus Chronicles:
"Life Itself"

A Desert Island Scenario
Risa Nye - Stardust

Katrina Geco:
"Daydreamer's Holiday - The Clarks and the Sounds of Pittsburgh"

Kevin Griffin:
"The Bass Man"

Kelly Haigh:
"Stage Fright at the Railway Club"

New Crush/Old Crush
Vampire Weekend
War Elephant
Theresa Moorehouse

Kaya Oakes' Miscellany:
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Recess
March 2012

The Roberge Report:
"Just for Openers"
"Jay Walter Bennett"
"Closet Classics"
"Urinal Tour Diary; A Week on the Road with the most Punctual and Polite Band in Punk"
"Room #8, Joshua Tree Inn"

Studio Musician Gossip:
"We Need A Public Option Radio Station"
"Make Out/Make Over"
"Re-Make, Re-Model"

Wildflowers
Philip Stevenson on Arthur Doyle


Book Reviews

Amphetamine Heart by Liz Worth
Got No Secrets by Danila Botha
All You Get Is Me, by Yvonne Prinz
Getting in Tune, by Roger Trott
Hew, Screw + Glue: How Stuff is Made, by James Innes-Smith
Me, the Mob, and the Music: One Helluva Ride With Tommy James And The Shondells , by Tommy James
Mingering Mike, by Dori Hadar
New York Dolls, by Bob Gruen
Red Album of Asbury Park, by Alex Austin
Satchmo: The Wonderful World And Art Of Louis Armstrong, by Steven Brower
Stalker Girl, by Rosemary Graham
Stone Roses, by Alex Green
Three Wishes: An Intimate Look At Jazz Greats, by Pannonica de Koenigswarter
The Vinyl Princess by Yvonne Prinz

DVD Reviews

Pet Shop Boys - Pandemonium
Rush - Snakes and Arrows Live

Live Reviews

2011
2011 - The Kills
2011 - Lost Lander
2011 - Bryan Ferry
2011 - Joana and the Wolf
2011 - Jasmine Minks
2011 - Gardens & Villa
2011 - Mike Watt & the Minutemen
2011 - The Royal Bangs
2011 - Dropkick Murphys
2011 - The Decemberists
2010
2010 - English Beat
2010 - Toadies
2010 - Sick Puppies
2010 - Jennie DeVoe
2009
2009 - Forever Young Dylan Tribute
The Meat Puppets
Bob Mould with Juliana Hatfield
Pet Shop Boys
Pixies
Bonnie Whitmore
2008
2008 - The Kooks
The Subways
2007
Big Star
Coachella
English Beat
Sondre Lerche
Placebo
Sonic Youth


Best Of:

Best of 2010
Best of 2009
Best of 2008



LIVE REVIEWS

English Beat

2010
photos by Negar Shams

English Beat

Dear thirteen-year-old self,

There is so much to tell you today, but for now let's just focus on your adolescent infatuation with Dave Wakeling and your love of The English Beat and General Public. I know you are still bitter that your mom didn't let you go with your brothers to see the Beat open for the Clash, but you will later understand that she was right, and at 11, you were waaaaay too young to accompany drunk teenage boys to a concert, even if they were your relatives. And stop fretting over your imperfect 2 Tone checkerboard drawings on mixed tape labels because soon your oldest brother will fly you to L.A. to see General Public live and all will be right with the world again, or at least all will be right that weekend. And while that is exciting on its own, further out, when you are older than you can even fathom being, specifically in the year 2010, you will be married, have a small child and get the opportunity to see a reincarnated version of the English Beat with Dave Wakeling at the helm. I tell you this now, because I think your outlook on life will be so much brighter if you keep in mind that the things, or specifically the music that inspires you at 13, can still move you in the same way when you are, er…uh, much, (decades, even!) much older.

In between your now, and my now (our nows and thens?), your turntable will die unexpectedly and you will give your English Beat and General Public vinyl albums away to a very good home. For some reason, you won't replace those albums until your boyfriend/future husband rips songs for you from Napster (a free, but illegal electronic music exchange mechanism) in an attempt to woo you. Then, the company that makes the Macintosh you use in the school computer lab will find its greatest success in the creation of a tiny portable electronic music playing device called an iPod. You will buy one, and then it will be stolen (a fool and her gadgets are soon parted) and you will not listen to any Dave Wakeling-created music again except for hearing the familiar rhythms of General Public's biggest hit during Target commercials. (I don't think there were Targets near you then, but think of it like a cleaner, hipper K-Mart). Then one day you will receive a call asking: "Hey, do you want to go see The English Beat play Treasure Island tomorrow?” Before you can say, "No, it’s a school night for my three year old," your husband will volunteer to watch your daughter and niece so you can go see a band play live for the first time in eight years.

English Beat

On the drive to the show your mind will race. Will Dave Wakeling's voice have aged well? Will the new band (Dave Wakeling is the only original member) be able to pull off the same kind of energy and sound? Can anybody love this band the way that you loved them? Will *you* still love them the way that *you* loved them? Will they play “Ackee 1-2-3”? (Turns out no on that one, unfortunately.) Will your husband survive an entire evening consisting solely of apple juice-fueled debates on all matters Disney Princess and Zhu Zhu pets? And before you can contemplate any of this, you will be so excited that you will uncharacteristically dismiss any doubts in your mind about what the evening has to offer and just sit back and savor every detail.

Soon after arrival you will have the opportunity to briefly meet Dave Wakeling (SERIOUSLY, YOU WILL MEET DAVE WAKELING) and he will be gracious and witty and I'll stop there so you can enjoy the moment for all it is. And then after your nerves are settled with a glass or two of wine (IMPORTANT: If you are not driving, never turn down a Jordan Cabernet, regardless of vintage), the show will begin. You will have no intention of dancing, but the close proximity to the stage, the wine, a rare night without domestic obligations and the fact that you are NOT thirteen will make you lose all self-consciousness and you will allow yourself to get completely swept up in the music. They will play “Whine & Grind” and “Stand Down Margaret” and General Public's cover of “I'll Take You There” and you will think, wow, they sound pretty great. And then by the time they play “I Confess,” you'll pause only to wonder how it is possible for Dave Wakeling's voice to sound better live now than it did 25+ years ago. And when the band wraps up with the last songs of the night, you will notice that even the few remaining people who weren't dancing (a tie between the security guy to your right and one of the suits way back in the crowd visible on the giant screen pans of thousands of attendees) will all give in to the addictively happy rhythms of “Tenderness.”

English Beat

And you will leave the event on such a high that you won't even remember texting (I would explain but you won't believe me) your husband three times during the show to say: HAVING THE BEST TIME until you look down and see his reply asking: Are you drunk? And you will think, No, I’m seriously not, just high on... Life? Music? Nostalgia? Feeling more like a 13 year old than I did at 13?

And the next morning you will wake to discover burning blisters and blood stained shoes from too much dancing but you will still be so filled with euphoria from the sheer entertainment of the show that you will not even care. You will show your daughter choppy videos you took on your camera of the live performance and she will delight you with the declaration: "You like good music, mama!" and you will find every English Beat video on YouTube (think free, controllable MTV viewed via computer screen) and replay them for her over and over. And three weeks later, you will hear a Beat song played at Old Navy (a sister store of The Gap) while you are shopping and it will take you back to the feeling of that night, that feeling of being thirteen and passionate about music and your day will be happy regardless of its events.

And if you can keep this feeling going through all your days, you're going to be just fine.

—J.M. Roberts

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