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Joana And The WolfAugust 2011
I think I'm getting the hang of the London gig scene now. By signing up to the Tuesday night event on Facebook I managed to get a two-pound discount on the five-pound ticket price. That's a bargain my mother, the queen of bargain hunting, would be proud of! And in this case the old adage that you get what you pay for was not true at all. For three pounds I got to see what I would rate as one of the best concerts I've ever seen. I'm a sucker for good stage performers, and in person Joana Glaz, the Lithuanian lead singer/songwriter of Joana and the Wolf breathes real life into her music. As well as having an operatic range, and that slightly nutty but lovable Eastern European demeanor, she is also obviously a dancer. She performed the set in red ballet shoes and writhed around the stage doing back bends, that even after my ten years of yoga made my jaw drop. But it isn't all about the stage act, is it? It could be the most amazing stage show ever, but you're still going to leave feeling slightly greasy if the singer is pumping out some generic pop like Britney Spears. I'd taken a bit of a chance on the event. On Spotify there is only an EP available and while I loved the single it by no means guaranteed I would love the album. After starting with a couple of slightly slower songs, I was surprised to hear the band roll out their new single three songs into the set, but to my delight the gig really kicked off from that point. Joana And The Wolf's sound is so familiar yet so hard to categorize. At points, like on the very punk "Entertainer" which starts with a monologue delivered at the edge of the stage, Glaz reminds me of Patti Smith: "There's a story about the girl/About the girl who happened to meet Mr. God/She held god by the edge of his coat/Pulling him strongly towards herself/If you will move away, she said, I'm not afraid to kill you. Numbers like the latest single, "Hide Me," and "When I Run" were quite dancy, while the hauntingly beautiful "Isobella" which was dedicated to "all the naughty girls" found Glaz urging, "lift your skirts up girls, and boys close your eyes." To the delight of the crowd, Glaz followed her own instructions. Glaz has the perfect mix of Patti Smith's storytelling, and Björk's vocal gymnastics, but with songs that are much easier to listen and dance to. After an amazing set, she came back to sing us a lullaby for the encore. The arrangement was so brilliant I didn't even realize what I was listening to, until it dawned on me that it was a cover of Britney Spears' "Oops, I Did It Again." I don't care if it was Britney, it was one of the best covers I've ever heard! In the words of my companion for the night, "I would see them again in a heartbeat." Jeantine Mankelow
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